Amelie Gallery

蓝色钢琴
布面油画
Blue Piano
Oil on Canvas 163x140cm
2008


 
汽车与少年
布面油画
Vehicle & Boy
Oil on Canvas

200x200cm
2008
 
他有一颗布做的心
布面油画
Robot has a Heart Made of Fabric
Oil on Canvas
200x200cm
2008

马与少年
布面油画
Horse & Boy
Oil on Canvas
120x120cm
2008
     
橘红色钢琴
布面油画
Orange Piano
Oil on Canvas
163x140cm
2008

散文《钢琴》
作者:韩冰

小时候阅读过的儿童文学里有一个在深夜从海里上岸的海王子 他上岸来 亲吻在沙滩上弹钢琴的少女 天亮之前他会回到海里。于是在我的潜意识中 钢琴总是与爱情 译制文学和奇幻故事有关 电影里无人弹奏的古钢琴 总是奇幻故事最重要的道具 藏在琴盖下面的机关实在太复杂了 有的时候让人害怕,但更吸引人去打开它 看看里面究竟有没有在古战争里留下来的老钢琴师的魂灵 制音器和琴槌 会不会变成手指的骨节 自己弹奏了起来。

小时候看过的钢琴师访谈 在讲述的时候他的双手自然的搭在钢琴上 那是一个年轻的男人的手 但看起来像是年轻的女老师的手 纤弱 洁净 过分的白 像粉笔一样的颜色 我看着那双手 那个眉眼很淡的钢琴师因为这样一双手而发起光来。从那时起我相信一个人在弹起钢琴来的时候就仿佛置身于一种光芒中 摒除了在阳光下一切平凡的和不洁的。

艺术家:韩冰
Oil Painter:Han Bing

毕业于中央美术学院油画系;
BA in Oil Painting, Central Academy of Fine Arts (CAFA)

学术展览:
2005-2006年
中央美术学院油画系艺术探索奖;
2007年
中央美术学院最佳造型奖;
2008年
中国油画学会"拓展与融合-中国现代油画研究展",中国美术馆;
寓言·当代艺术家的文学实验,北京龙艺榜画廊;


Exhibitions:
2005-2006
innovation Award, Central Academy of Fine Arts;
2007
Excellence Award, Central Academy of Fine Arts;
2008
Expansion & Fusion, Research Exhibition on Chinese Modern Oil Paintings organized by China Oil Painting Society, China National Museum.
Fable-Literary Experiments by Contemporary Visual Artists, Amelie Gallery, Beijing;

Piano

Prose By Han Bing

In the children's books I read as a child there was a story of a prince of the sea who would emerge on the shore deep in the night, kissing the girl who played piano by the sea and returning home before the break of dawn. Ever since then, I've always subconsciously connected the piano to love, translated literature and tales of fantasy. In film, the ancient, playerless piano has always been one of the most important props in fantasy stories. The machinery hidden under the lid is too complicated, and sometimes scary, but it draws people to open it up and see whether or not the soul of that old pianist was really left behind in that ancient war. Perhaps the mallets and dampers have turned into knuckles and started playing themselves.

When I was young I watched an interview of a pianist. As he spoke his hands naturally fell on the keys. They were a young man's hands, but they looked like those of a young woman, soft, clean and appallingly white, like the color of chalk. I looked at those hands, and I saw that this man, otherwise indistinguishable, light up because of those hands. Ever since then I have had the belief that when one plays the piano it is like he enters into a ray of light that disperses all that is mundane and unclean.