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Striking the Mountain to Shock the Tiger For each generation of artists, the social environment in which they live and create has a profound effect on the development of their art. The curatorial concept behind Striking the Mountain to Shock the Tiger is sociological, using interviews and surveys of nearly one hundred artists born in the 1970s and 80s to observe the living and creative conditions of young artists and the potential effects of the current art ecosystem on future changes in art and the development of artists. Using the creative subject key words gleaned from the surveys as a core set of coordinates, Striking the Mountain to Shock the Tiger seeks out a spiritual anchor in the flourishing, diverse practices of cutting-edge art. The artistic styles of the various participant artists vary widely, but all are brimming with talent and personality. The document segment of this exhibition consists of the artists stories of how they make a living, highlighting the struggle and perseverance involved in their delicate walk between art and existence. |
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Soul of the Land Amelie
Gallery, 2010.7.03-8.21,
Opening: July.3rd,
15:00pm Soul of the Land focuses on the important Chinese landscape artists Wang Keju, Bai Yuping, Ren Chuanwen, Sun Gang and young artists Hong Dan and Zhang Yu. In terms of both painterliness and creative concepts, they have made innovative contributions to the ancient tradition of landscape painting. The goal of the exhibition is to explore the developmental trends of contemporary landscape painting, to analyze individual artists and their cultural inheritance to reveal the new aesthetic direction being shaped by China's current reality and humanist landscapes... |
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163 Years of Obsession-Self Awareness and the Literati
Spirit |
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HuTong Play-Huang Kai Solo Show |
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Notes on Fishing-Paintings & Sculpture in 2006-2009 |
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Chen Qi~1963, Solo Exhibition 2009.8.29-10.15 Opening: August.29th, 15:00pm Curator:Tony Chang After ten months and 2136 work hours, artist Chen Qi (b. 1963) finally completed his artwork, entitled 1963, on July 6, 2009. Experimentally blending new digital media with the ancient techniques of water-based printmaking, he devised a complex and exacting printing process using ninety-six woodblocks with nine color applications to depict, on an area measuring 7.8 meters high and 3.35 meters long, waves of water flowing from the inner depths of his heart. 1963 is a testament to the unprecedented ambition and conceptual creativity of one of the only contemporary artists to continue the technique of Chinese water-based printmaking. |
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Grace of Printmaking |
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No Fun without You- Contemporary Artists Frozen in Place |
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A New Mark in Chinese Print Art- |
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Enchanting Landscapes |
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Fable - Literary Experiments
by Contemporary Visual Artists |
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Four Seasons |
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Kang Jianfei | Ways of Looking
at a Blackbird |
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Memory
or Reality |
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Mirror
of History |
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Exile
in Existence |
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New Concept Experiential Print
Art Exhibition- |
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