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Mirror
of History |
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Exile
in Existence |
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New Concept Experiential Print
Art Exhibition- |
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Urban Culture:
the Flourished & Corrupted. Amelie Gallery believes that art curatorial practice by itself is a critical inquiry of social problems. This exhibition, divided into four parts, aims to study the ecosystems of urban culture, including consumerism, the impact of pan-entertainment culture, individual existence and the role of modern artists. Media embrace oil-painting, installation, prints and comic books... |
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Girls Dormitory in the New City
of BianLiang, Subversive disruption of classical Chinese motives is an effective tactics for contemporary avant-gardes addressing their social concerns. Amelie Gallery's new exhibition features works by artists who borrow classical Chinese culture icons. With sharp playfulness, they practice sensitive and subtle Tai Ji Quan (slow-motion Chinese boxing) to challenge reality, demonstrating an uncompromised conceptual edge. Participating artists include Yang Tao, Yu Hang etc.. |
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From Naive to Faceless Chinese art is a mirror reflecting the nation's phantasmagoric faces. Focused on the Chinese facial expressions, Amelie Gallery's annual retrospective exhibition jumps the fence that divides contemporary from Classic art. From naive primitive legacy in 1950s to post-80s avant-garde's urban apologue, the curatorial perspective is looking out for the spectacular Chinese sentiment that underlines China's visual creativity, embracing diverse mediums like oil paintings, woodcuts, photography, comic book, digital drawings and colored paper cuts etc.... |
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Shadow & Illusion of Postmodern
Fantasy Self-contradiction, subjectivity are mentalities of
post-80s young generation. Reflected in their art, they exercise a vigorous,
irrational approach with subject matters ranging from history to presence,
reality to sub-consciousness. In phrase III of
Amelie Gallery's post-80s artists' exhibition, participating artists Xu
Shuo, Jiang Chuan and Zhang ShanShan etc. demonstrate
playful and disruptive postmodern fantasy... |
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Back to Canvas, the Poetry Between
Abstract and Imagism |
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Private Game Amelie Gallery is launching a series of exhibitions for artists from the post-80s era, exploring their shifts of focus from previous generations, shedding light on what will impact on the contemporary Chinese art scene in the very immediate future.The first show presents six artists (Liu RuiZhao, Hao ChongTao etc.) on oil painting, photography and experimental printmaking. These artists share obscure vision in their intimate fantasy, representing an emerging trend of adventurous individuality in post-80s art... |
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The Exhibition of "I",
3rd Part of Triptych "Time, Space and I" |
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Women Rising-Art & Life of
Contemporary Women, Group Exhibition. While gender differences are becoming indistinct, the social achievements of women in today's world have never been so evident. Demonstrating their responsibilities in a wide array of social settings, women enter into top management in the corporate world, control finance in family life, manipulate or abandon men in their restless emotional adventures...these ladies are breaking the cultural and social boundaries at a breathtaking pace. The whole world is like the diamonds on their giant, blooming skirt.. |
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Heritage & Individual
Creativity -Scream before Burned. Contemporary Wood Cut, Silkscreen Print Group Show August 1- October 15 A group of artists from China's top fine arts academies gathers together to create a burning celebration of printmaking works. Struggling single-handedly in a world engaged in economic progress, they have a strong sense of Chinese heritage, lost personal memories and collective loneliness of this decade.. |
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 Hutong to Highrise is an organization documenting the disappearing hutong communities of Beijing. As an art institution with strong social commitment, Amelie Gallery sponsored Hutong to Highrise''s photography exhibition, which was essential for increasing awareness of the lives of people who live in Beijing's hutongs. |
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Fragrance of Pottery. |
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The Affordability of Art & Unaffordability
of Being An Artist |
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Celebration - Paper Cut
Art by Ku ShuLan, Goddess of Paper Cut Regarded as the Oriental Matisse, Ku ShuLan's fame rose in 1990s for her bold, passionate paper cut. Her expressionist vision and joyful celebration of colours are evidence of how individual creativity of a great artist elevates folk art heritage. Her life tells a story that a sensitive soul uncompromisingly confronts the human sufferings... |